Press

Performance Archive · Discography

2026

2026-07-23 | Handel: Tolomeo, Araspe; Philharmonia Baroque Orchestra & Chorale; Peter Whelan; Herbst Theatre, San Francisco

Dashon Burton was a luxury casting choice as Araspe, with his booming bass-baritone, masterful diction, and musical intelligence on full display.

Michael Zwiebach · San Francisco Chronicle / San Francisco Classical Voice · 2026-07-24

Original review

2026-05-24 | Beethoven: Fidelio, Don Fernando; The Cleveland Orchestra; Franz Welser-Möst; Severance Hall, Cleveland

Dashon Burton unleashed a warm and resonant bass-baritone as Don Fernando

Cameron Kelsall · Parterre Box · 2026-05-27

Original review

2026-04-16 | Mahler: Songs of a Wayfarer; New Jersey Symphony; Xian Zhang; NJPAC, Newark

Burton’s sympathetic understanding of the text made for a fine interpretation.

Courtney Smith · NJArts.net · 2026-04-23

Original review

2025

2025-03-13 | Michael Tilson Thomas: Whitman Songs; Boston Symphony Orchestra; Teddy Abrams; Symphony Hall, Boston

singing with majestic tone and prophetic purpose

Jonathan Blumhofer · Boston Classical Review · 2025-03-14

Original review

2024

2024-12-19 | Handel Messiah; National Symphony Orchestra; Masaaki Suzuki; Kennedy Center Concert Hall, Washington DC

Bass-baritone Dashon Burton brought a keen theatrical sense to the bass’s recitatives and arias

Alex Baker · Washington Classical Review · 2024-12-20

Original review

2024-10-28 | Mahler Lieder eines fahrenden Gesellen, Schoenberg reduced orchestration; Los Angeles Chamber Orchestra; Jaime Martín; Granada Theatre, Santa Barbara; CAMA International Series

brought the right degrees of gravitas and vulnerable sweetness to the Mahler.

Josef Woodard · Santa Barbara Independent · 2024-11-01

Original review

2024-10-04 | Bruckner’s Fourth Symphony: Wanderers Awaken!

He found a great tender sound in gentler moments

Brendan Fox · Shepherd Express · 2024-10-08

Original review

2024-03-16 | MTT: Copland and Tchaikovsky

With his clear diction, Burton can spin a lyric with the intimacy of a folk-pop artist.

Lawrence Budmen · South Florida Classical Review · 2024-03-17

Original review

2023

2023-12-09 | The Christmas Story

Baritone Dashon Burton sang with an elegant restraint in his initial recitatives.

Patrick D. McCoy · Across the Arts · 2023-12-11

Original review

Sanctuary & Storm | Vancouver, November 2023

Burton is commanding as the Angel of History, his voice rich with passion.

Emily Lyth · Stir · 2023-11-19

Original review

2023-10-19 | MTT Conducts Beethoven 9

Baritone Dashon Burton summoned the proceedings to order with an authoritative cry of “O Freunde!”

Joshua Kosman · San Francisco Chronicle · 2023-10-20

Original review

2023-07-20 | Handel: Acis and Galatea

His impeccably enunciated ‘O Ruddier than the cherry’ brimmed with wicked humour.

Christopher Sallon · Seen and Heard International · 2023-07-26

Original review

2023-03-09 | Meditations on Rilke

Cooke’s luminous voice and Burton’s rounded, slightly grainy tone gilded this music

George Grella · The Classical Review · 2023-03-11

Original review

2022

2022-05-25 | Immortal Dreams; Celebrity Series of Boston; Pickman Hall, Longy School of Music, Cambridge; Lindsay Garritson piano; Kemp Jernigan oboe

watching him sing feels like looking directly at the sun — he is alight with the spirit of the music.

A.Z. Madonna · The Boston Globe · 2022-05-26

Original review

2021

2021-12-17 | Handel: Messiah

Bass baritone Dashon Burton was clear and articulate in the rapid-fire notes

Louis Harris · Third Coast Review · 2021-12-18

Original review

2020

Smyth The Prison, Chandos CHSA5279

Dashon Burton is outstanding as the pensive Prisoner.

Erica Jeal · The Guardian · 2020-08-06

Original review

2020-02-23 | Michael Tilson Thomas: Meditations on Rilke

Sasha Cooke and Dashon Burton were ravishing soloists, easily sending their voices out above some complex orchestral textures.

Daniel Hathaway · ClevelandClassical.com · 2020-03-09

Original review

2020-03-07 | Roomful of Teeth: Composer & Citizen, Chamber Landscapes

featuring the operatic brilliance of Dashon Burton

Lisa Lanzi · Theatre Travels · 2020-03-08

Original review

2020-01-10 | Shostakovich and Mahler

sang throughout with uncommon lyricism

Jeremy Eichler · The Boston Globe · 2020-01-13

Original review

2019

2019-12-17 | Handel: Messiah

he made the text speak eloquently in “The people that walked in darkness,”

David Wright · New York Classical Review · 2019-12-18

Original review

2019-12-01 | Handel Messiah; Handel and Haydn Society; Masaaki Suzuki; Symphony Hall, Boston

Burton’s steady conviction returned us to the story.

Lee Eiseman · The Boston Musical Intelligencer · 2019-12-02

Original review

2019-11-30 | Handel: Messiah

In his featured arias, Dashon Burton sang with authority and sublimity.

Aaron Keebaugh · Boston Classical Review · 2019-12-01

Original review

2019-01-27 | Brick by Brick: Changing America Through Song; San Francisco Performances PIVOT; Herbst Theatre, San Francisco; Lindsay Garritson piano

robust, sinewy vocal tone, probing interpretive mastery and charismatic communicative directness

Joshua Kosman · San Francisco Chronicle · 2019-01-28

Original review

2019-01-04 | Ned Rorem: War Scenes; American Iconoclasts III, Brooklyn Art Song Society; Brooklyn Historical Society; Michael Brofman piano

What better instrument to convey this poet’s passion and fierce irony than the massive yet hyperarticulate bass-baritone of Dashon Burton?

David Wright · New York Classical Review · 2019-01-05

Original review

2018

2018-10-04 | Mozart Magnified

Mezzo-soprano Meg Bragle and bass-baritone Dashon Burton produced some beautifully rounded tones

Truman C. Wang · Classical Voice · 2018-10-06

Original review

2018-09-27 | Dvořák: Stabat Mater; Houston Symphony and Chorus; Andrés Orozco-Estrada; Jones Hall, Houston

he brought ardor and urgency to the prayer “Fac ut ardeat.”

Steven Brown · Texas Classical Review · 2018-09-28

Original review

2018-06-13 | Walton: Belshazzar’s Feast; Grant Park Music Festival; Carlos Kalmar; Pritzker Pavilion, Chicago

a bass-baritone with a rich, rounded voice, faultless diction and a natural, expressive style

Lawrence A. Johnson · Chicago Classical Review · 2018-06-14

Original review

2017

2017-02-12 | Misty; Barber Dover Beach and Hanns Eisler Ernste Gesänge; A Far Cry; Calderwood Hall, Isabella Stewart Gardner Museum, Boston

Burton’s gorgeous singing rose (with the Criers) to just the right level of real dramatic intensity

David Schulenberg · The Boston Musical Intelligencer · 2017-02-13

Original review

2016

2016-12-16 | Handel: Messiah

delivered with sovereign certitude and the fervor of a revivalist preacher

Terry Blain · Star Tribune · 2016-12-18

Original review

2016-11-20 | Roomful of Teeth

Burton was able to step into the spotlight and fill the entire theater with his booming voice.

Maria Elharaoui · Maryland Theatre Guide · 2016-11-21

Original review

2016-04-08 | Brahms: Ein deutsches Requiem (four-hand piano/chamber choir version); Seraphic Fire; Patrick Quigley; All Saints Episcopal Church, Fort Lauderdale

With firm low notes and a rich timbre, Burton brought powerful declamation and real expressive drama

Lawrence Budmen · South Florida Classical Review · 2016-04-09

Original review

2014

2014-11-21 | Roomful of Teeth: MIT Sounding

Wells’s “Otherwise” was anchored by a resonant Dashon Burton.

Jeffrey Gantz · The Boston Globe · 2014-11-23

Original review

Roomful of Teeth: Tiny Desk Concert

Dashon Burton’s operatic baritone soars above it all.

Tom Huizenga · NPR · 2014-11-10

Original review

2013

2013-03-18 | Roomful of Teeth

the rich soaring baritone of the singer Dashon Burton

Anne Midgette · The Washington Post · 2013-03-19

Original review

2013-03-13 | Mendelssohn: Elijah

the lead singer, baritone Dashon Burton, was the standout.

Robert Battey · The Washington Post · 2013-03-14

Original review

2012

2012-10-28 | Princeton Pro Musica: Bach and Mozart

Burton combined self-assuredness, a commanding voice, and precision

Nancy Plum · Town Topics · 2012-11-06

Original review

Further reviews · 2016–17

Mozart: Die Zauberflöte, Sarastro; Opéra de Limoges, November 2017 production

“Dashon Burton n’éprouve aucune peine à infuser une grandeur quasi wagnérienne à Sarastro.”

Emmanuel Andrieu, Opera Online, 2017-11-09

Michael Tippett: A Child of Our Time; Harvard Choruses, Boston Modern Orchestra Project, Boston Children’s Chorus; Andrew Clark; Sanders Theatre, Cambridge

“bass-baritone Dashon Burton led us across the deep river to the promised campground.”

Lee Eiseman, The Boston Musical Intelligencer, 2017-04-24

Dashon Burton: Light Year; Resonant Bodies Festival, Roulette, New York

“handsomely showing off his deep tone”

Bruce Hodges, Seen and Heard International, 2016-10-05

Bach: Mass in B minor; Baltimore Symphony Orchestra; Nicholas McGegan; Strathmore

“His “Et in spiritum sanctum” was a highlight.”

Anne Midgette, The Washington Post, 2016-05-27

Schubert: Winterreise, Harold Birston transcription; Diderot String Quartet; Washington National Cathedral

“possessed of the rare poetic soul of a lieder singer”

Joan Reinthaler, The Washington Post, 2016-01-17